{"id":4126,"date":"2021-11-29T15:40:53","date_gmt":"2021-11-29T14:40:53","guid":{"rendered":"https:\/\/www.24orecultura.com\/libri\/catalogo\/piet-mondrian-4\/"},"modified":"2025-01-31T12:26:46","modified_gmt":"2025-01-31T11:26:46","slug":"piet-mondrian-4","status":"publish","type":"book","link":"https:\/\/www.24orecultura.com\/en\/books\/catalogue\/piet-mondrian-4\/","title":{"rendered":"Piet Mondrian. Dalla figurazione all\u2019astrazione"},"content":{"rendered":"\n
<\/span>

Piet Mondrian. Dalla figurazione all\u2019astrazione<\/h1><\/div><\/div>\n\n\n
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\n \"Piet
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Buy on Amazon <\/a><\/div>\n \n
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Price<\/span> \u20ac32.00<\/strong><\/p> \n\n

Publisher<\/span> 24 ORE Cultura<\/a><\/strong><\/p>\n

Hardback 23 x 28 cm 142 pages 160 illustrations ISBN 9788866485780 <\/p>\n<\/div> <\/div>\n<\/div><\/div>\n\t\n\t\n\t\n\t

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Home<\/a><\/span> \/ Books<\/a><\/span> \/ Catalogue<\/a><\/span> \/ Piet Mondrian. Dalla figurazione all\u2019astrazione<\/span><\/span><\/div>\n\t\t\t\n
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Catalog of the exhibition at MUDEC – Museum of Cultures in Milan (November 24, 2021 – March 27, 2022)<\/strong><\/p>\n\n\n

Illustrating the Dutch master’s transition from the figurative phase to abstractionism, and fielding comparisons with artists of the Hague School, the catalog is an invitation to get to know a “different” Mondrian and rediscover his masterpieces.<\/strong><\/p>\n\n\n

The exhibition and accompanying volume involve the collaboration of one of Europe’s most prestigious museums, the Kunstmuseum in The Hague, which has the most important collection of Mondrian’s works in the world. This is a unique opportunity to see many of the artist’s masterpieces brought together. The Hague School refers to a group of artists who lived and worked in The Hague between 1860 and 1890. <\/p>\n\n\n

Influenced by realist painters, they were notable for their restraint in the use of colors, with a decided preference for gray. In the early phase of his career, Mondrian painted in the manner of the Hague School. Only beginning in the 20th century did Mondrian, along with many other Western artists, move away from the idea of art as an attempt to illusorily reproduce reality. He abandoned the logic of perspective, which had characterized European art since the Renaissance, and began to devote himself to abstract forms. With the invention of the characteristic perpendicular lines, the artist would gradually make his minimalism more radical until, in the last phase of his career, lines clearly prevailed over colors. <\/p>\n\n\n

BY<\/strong>BENNO TEMPEL<\/strong> – Art historian and director of the Gemeentemuseum in The Hague.<\/p>\n\n<\/div>\n\t<\/div>\n\t<\/div>\n\t","protected":false},"excerpt":{"rendered":"

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